By now, you probably know the drill: a little bit of discussion about a particular subject, throw in a few pop culture references, maybe a video or two, then get to the good stuff – high quality VIIRS imagery. Then, maybe add some follow-up discussion to emphasize how VIIRS can be used to detect, monitor, or improve our understanding of the subject in question. Not today.
You see, VIIRS is constantly taking high quality images of the Earth (except during orbital maneuvers or rare glitches). There isn’t enough time in a day to show them all, or go into a detailed discussion as to their relevance. And, nobody likes to read that much anyway. So, as we busily prepare for the upcoming holidays, we’re going to skip the in-depth discussion and get right to the good stuff.
Here then is a sample of interesting images taken by VIIRS over the years that weren’t featured on their own dedicated blog posts. Keep in mind that they represent the variety of topics that VIIRS can shed some light on. Many of these images represent topics that have already been discussed in great detail in previous posts on this blog. Others haven’t. It is important to keep in mind… See, I’m starting to write too much, which I said I wasn’t going to do. I’ll shut up now.
Without further ado, here’s a VIIRS Natural Color image showing a lake-effect snow event that produced a significant amount of the fluffy, white stuff back in November 2014:
VIIRS Natural Color RGB composite of channels M-5, M-7 and M-10 (18:20 UTC 18 November 2014)
As always, click on the image to bring up the full resolution version. Did you notice all the cloud streets? How about the fact that the most vigorous cloud streets have a cyan color, indicating that they are topped with ice crystals? The whitish clouds are topped with liquid water and… Oops. I’m starting to discuss things in too much detail, which I wasn’t going to do today. Let’s move on.
Here’s another Natural Color RGB image using the high-resolution imagery bands showing a variety of cloud streets and wave clouds over the North Island of New Zealand:
VIIRS Natural Color RGB composite of channels I-1, I-2 and I-3 (02:55 UTC 3 September 2016)
Here’s a Natural Color RGB image showing a total solar eclipse over Scandinavia in 2015:
VIIRS Natural Color RGB composite of channels M-5, M-7 and M-10 (10:06 UTC 20 March 2015)
VIIRS True Color RGB composite of channels M-3, M-4 and M-5 (06:20 UTC 31 May 2014)
VIIRS split-window difference (M-15 – M-16) image (06:20 UTC 31 May 2014)
Here’s a VIIRS True Color image showing algae and blowing dust over the northern end of the Caspian Sea (plus an almost-bone-dry Aral Sea):
VIIRS True Color RGB composite of channels M-3, M-4 and M-5 (09:00 UTC 18 May 2014)
Here is a high-resolution infrared (I-5) image showing a very strong temperature gradient in the Pacific Ocean, off the coast of Hokkaido (Japan):
VIIRS I-5 (11.45 um) image (03:45 UTC 12 December 2016)
The green-to-red transition just southeast of Hokkaido represents a sea surface temperature change of about 10 K (18 °F) over a distance of 3-5 pixels (1-2 km). This is in a location that the high-resolution Natural Color RGB shows to be ice- and cloud-free:
VIIRS Natural Color RGB composite of channels I-1, I-2 and I-3 (03:45 UTC 12 December 2016)
Here’s a high-resolution infrared (I-5) image showing hurricanes Madeline and Lester headed toward Hawaii from earlier this year:
VIIRS I-5 (11.45 um) image (22:55 UTC 30 August 2016)
Here are the Fire Temperature RGB (daytime) and Day/Night Band (nighttime) images of a massive collection of wildfires over central Siberia in September 2016:
VIIRS Fire Temperature RGB composite of channels M-10, M-11 and M-12 (05:20 UTC 18 September 2016)
VIIRS Day/Night Band image (19:11 UTC 18 September 2016)
Here is a 5-orbit composite of VIIRS Day/Night Band images showing the aurora borealis over Canada (August 2016):
Day/Night Band image composite of 5 consecutive VIIRS orbits (30 August 2016)
Here is a view of central Europe at night from the Day/Night Band:
VIIRS Day/Night Band image (01:20 UTC 21 September 2016)
And, finally, for no reason at all, here’s is a picture of Spain wearing a Santa hat (or sleeping cap) made out of clouds:
VIIRS Natural Color RGB composite of channels M-5, M-7 and M-10 (13:05 UTC 18 March 2014)
There you have it. A baker’s ten examples showing a small sample of what VIIRS can do. No doubt it will be taking more interesting images over the next two weeks, since it doesn’t stop working over the holidays – even if you and I do.
As mentioned before on this blog, there are typhoons, hurricanes, and cyclones, and they’re all basically the same thing. They’re just given a different name depending on where they occur in the world. Similarly, there are many different names for winds (not counting the classification of wind speeds developed by a guy named Beaufort). There’s the Chinook, the Santa Ana, the bora, the föhn (or foehn), the mistral, the zonda, the zephyr and the brickfielder. (A more complete list is here.) Some of these winds are different names for the same phenomenon occurring in different parts of the world, like the föhn, the chinook, the zonda and the Santa Ana. Others are definitely different phenomena, with different characteristics (compare the mistral with the brickfielder), but they all have the same basic cause: the atmosphere is constantly trying to equalize its pressure.
The Mediterranean is home to wide variety of named winds, one of which is the sirocco (or scirocco). (Europe is home to wide variety of languages, so this wind is also known as “ghibli,” “jugo” [pronounced "you-go"], “la calima” and “xlokk” [your guess is as good as mine].) Sirocco is the name given to the strong, southerly or southeasterly wind originating over northern Africa that typically brings hot, dry air and, if it’s strong enough, Saharan dust to Europe. Of course, after picking up moisture from the Mediterranean, the wind becomes humid, making life unpleasant for people along the north shore. Hot, humid and full of dust. Perhaps it’s no surprise that the sirocco is believed to be a cause of insomnia and headaches.
Now, I don’t know how hot it was, but an intense low pressure system passed through the Mediterranean around Leap Day and, out ahead of it, strong, southerly winds carried quite a bit of dust from northern Africa into Italy. Here’s what it looked like in Algeria. And here’s what it looked like in Salento. See if you can see that dust in these True Color VIIRS images:
VIIRS True Color RGB composite of channels M-3, M-4 and M-5 (12:09 UTC 28 February 2016).
VIIRS True Color RGB composite of channels M-3, M-4 and M-5 (11:48 UTC 29 February 2016)
No problem, right? With True Color imagery, the dust is usually easy to identify and distinguish from clouds and the ocean because it looks like dust. It’s the same color as the sky over Salento, Italy in that video I linked to. The top image shows multiple source regions of dust (mostly Libya, with a little coming from Tunisia) being blown out over the sea. The second image shows one concentrated plume being pulled into the clouds over the Adriatic Sea, headed for Albania and Greece.
By the way, this storm system brought up to 2 meters (6.5 feet) of snow to northern Italy, and even brought measurable snow to Algeria! Africa and Europe made a trade: you take some of my dust, and I’ll take some of your snow.
But, this wasn’t the worst dust event to hit Europe recently. Here’s what the VIIRS True Color showed over Spain and Portugal on 21 February 2016:
VIIRS True Color RGB composite of channels M-3, M-4 and M-5 (12:40 UTC 21 February 2016).
And VIIRS wasn’t the only one to see this dust. Here’s a picture taken by Tim Peake, an astronaut on the International Space Station. Again, it’s easy to pick out the dust because it almost completely obscures the view of the background surface. But, what if the background surface is dust colored?
We switch now to the other side of the world and the Takla Makan desert in China, where the dust has been blowing for the better part of a week:
VIIRS True Color RGB composite of channels M-3, M-4 and M-5 (07:11 UTC 4 March 2016).
Can you tell what is dust and what is the desert floor? Can you see the Indian Super Smog on the south side of the Himalayas? Here is the same scene on a clear (no dust) day:
VIIRS True Color RGB composite of channels M-3, M-4 and M-5 (07:49 UTC 2 March 2016).
There is a subtle difference there, but you need good eyesight to see it. It might be easier to see if you loop the images:
Animation of VIIRS True Color images of the Takla Makan desert (1-7 March 2016).
You’ll have to click on the image to see it animate.
Did you notice the dark brown areas surrounding the Takla Makan? Those are areas that have green vegetation during the summer. Notice how they become completely obscured by the dust as the animation progresses. That’s one one way to tell that there’s dust there. But, as we have seen before, there are other ways to see the dust.
There’s EUMETSAT’s Dust RGB composite applied to VIIRS:
Animation of VIIRS EUMETSAT Dust RGB images of the Takla Makan desert (1-7 March 2016).
That’s another animation, by the way, so you’ll have to click on it to see it animate. The same is true for the Dynamic Enhanced Background Reduction Algorithm (DEBRA), which we also talked about before:
Animation of VIIRS DEBRA Dust Product images of the Takla Makan desert (1-7 March 2016)
But, there’s one more dust detection technique we have not discussed before: the “blue light absorption” technique:
Animation of VIIRS Blue Light Dust images of the Takla Makan desert (1-7 March 2016).
The Blue Light Dust detection algorithm keys in on the fact that many different kinds of dust absorb blue wavelengths of light more than the longer visible wavelengths. It uses this information to create an RGB composite where dust appears pastel pink, clouds and snow appear blueish and bare ground appears green. Of course, other features can absorb blue light as well, like the lakes near the northeast corner of the animation that show up as pastel pink. But, depending on your visual preferences and ability to distinguish color, the Blue Light Dust product gives another alternative to the hot pink of the EUMETSAT Dust RGB, the yellow of DEBRA, and the slightly paler tan of the True Color RGB.
One question you might ask is, “How come DEBRA shows a more vivid signal than the other methods?” In the True Color RGB, dust is slightly more pale than the background sand, because it’s made up of (generally) smaller sand particles (which are more easily lofted by the wind) that scatter light more effectively, making it appear lighter in color. In the EUMETSAT Dust RGB, dust appears hot pink because the “split window difference” (12 µm – 10.7 µm) is positive, while the difference in brightness temperatures between 10.7 µm and 8.5 µm is near zero and the background land surface is warm. In DEBRA, the intensity of the yellow is related to the confidence that dust is present in the scene based on a series of spectral tests. DEBRA is confident of the presence of dust even when the signals may be difficult to pick out in the other products, either because it’s a superior product, or because its confidence is misguided. (Hopefully, it’s the former and not the latter.)
By the way, the Takla Makan got its name from the native Uyghurs that live there. Takla Makan means “you can get in, but you can’t get out.” It has also been called the “Sea of Death.” I prefer to call it “China’s Big Bowl of Dust.” It’s a large area of sand dunes (bigger than New Mexico, but smaller than Montana) surrounded on most of its circumference by mountains between 5000 and 7000 m (~15,000-21,000+ feet!). The average annual rainfall is less than 1.5 inches (38 mm). That means when the wind blows it easily picks up the dusty surface, but that dust can’t go anywhere because it’s blocked by mountains (unless it blows to the northeast). The dust is trapped in its bowl.
The Takla Makan is also important historically, because travelers on the original Silk Road had to get around it. Notice on this map, there were two routes: one that skirted the northern edge of the Takla Makan and one that went around the southern edge. This part of Asia was the original meeting point between East and West.
CIRA produces all four imagery products over the Takla Makan desert in near-real time, which you can find here. And, in case you’re curious, you can check out how well DEBRA and the EUMETSAT Dust products compare for the dust-laden siroccos over southern Europe and northern Africa by clicking here and here (for the first event over Spain and Portugal) or here and here (for the second one over Italy and the Adriatic Sea).
People have been living along the Nile River in northeastern Africa and on the Arabian Peninsula for thousands of years (dating back to the Paleolithic Era). And, every once in a while, a story comes along that makes you wonder why. I’m not talking about the never-ending human conflict that has plagued the region. I’m talking about the hostile climate. (Of course, it wasn’t always hostile. There have been periods of abundant moisture. Read this. Or this.)
If you’ve watched Raiders of the Lost Ark, you are no-doubt familiar with the ancient city of Tanis, and the story about it that was the basis of the whole plot of the movie. If you haven’t seen the movie: 1) shame on you; and, 2) watch this clip.
“The city of Tanis was consumed by the desert in a sandstorm that lasted a whole year.”
I hate to be the bearer of bad news but, that part of the story is false. No year-long sandstorm hit Tanis. And, despite rumors that the actual Ark is buried in Tanis, it has never been found. (Because it’s stored in a giant government warehouse! Duh!) Plus, Indiana Jones is a fictional character in a movie. But, the movie is not entirely false. According to this article, a major archaeological find did take place at Tanis right before World War II (led by a French archaeologist, no less), and very few people know about it because of the war. Plus, there really was an Egyptian Pharaoh named Shoshenq/Shishak.
Since this dust storm lasted a whole week, we got plenty of VIIRS imagery of the event. It started on the afternoon of 6 September 2015, and here’s the first VIIRS True Color image of it:
VIIRS True Color image of channels M-3, M-4 and M-5 (10:06 UTC 6 September 2015)
Can you see it? (Click on the image to see the full resolution version.) A trained eye can spot it from this image alone. An untrained eye might have difficulty distinguishing it from the rest of the desert and sand. Look for the tan blob over Syria that is obscuring the view of the Euphrates river.
If you can see that, you can track it over the rest of the week:
Animation of VIIRS True Color images (6-12 September 2015)
This animation was reduced to 33% of it’s original size to limit the bandwidth needed to display it. It contains the afternoon overpasses (1 image per day) because you need sunlight to see things in true color. And, while it suffers from the fact that animated GIFs only allow 256 colors (instead of the 16,777,216 colors possible in the original images), you should be able to see the dust “explode” over Israel, Lebanon and Jordan over the next two days. It eventually advects over northwestern Saudi Arabia, Egypt and Cyprus during the rest of the week.
The last time we looked at a major dust storm, the dust was easy to see. It was blown out over the ocean, which is a nice, dark background to provide the contrast needed to see the dust. Here, the dust is nearly the same color as the background – because it is made out of what’s in the background. Is there a better way to detect dust in situations like this?
EUMETSAT developed an RGB composite explicitly for this purpose, and they call it the “Dust RGB.” And we’ve talked about it before. And, here’s what that looks like:
Animation of EUMETSAT Dust RGB images from VIIRS (6-12 September 2015)
Since this RGB composite uses only infrared (IR) channels, it works at night (although not as well) so you can get twice as many images over this time period. It also makes dust appear hot pink. The background appears more blue in the daytime images, so the dust does stand out. But, the background becomes more pink/purple at night, so the signal is harder to see at those times. Still, you can see the dust spread from Syria to Egypt over the course of the week.
My colleagues at CIRA have developed another way to identify dust: DEBRA. DEBRA is an acronym for Dynamic Enhanced Background Reduction Algorithm. As the name implies, DEBRA works by subtracting off the expected background signal, thereby reducing the background and enhancing the signal of the dust. So, instead of trying to see brown dust over a brown background (i.e. True Color RGB) or trying to see hot pink dust over a pinkish/purplish background (i.e. EUMETSAT Dust RGB) you get this:
Animation of VIIRS “DEBRA Dust” images (6-11 September 2015)
DEBRA displays dust as yellow over a grayscale background. The intensity of the yellow is related to the confidence that a given pixel contains dust. It could display dust as any color of the rainbow, but yellow was chosen specifically because there are fewer people that are colorblind toward yellow than any other type of colorblindness. That makes the dust very easy to see for nearly everyone. (Sorry, tritanopes and achromats.) One of the biggest complaints about RGB composites is that the 7-12% of the population that has some form of colorblindness have difficulty trying to see what the images are designed to show. (Since I’m so fond of RGB composites, I better check my white male trichromat privilege. Especially since, according to that last link, white males are disproportionately colorblind.) The point is: we now have a dust detection algorithm that works well with (most) colorblind people, and it makes dust easier to see even for people that aren’t colorblind. DEBRA also works at night, but I’ve only shown daytime images here to save on filesize.
The last two frames of the DEBRA animation show something interesting: an even more massive dust storm in northern Sudan and southern Egypt! Fortunately, fewer people live there, but anyone who was there at the time must have a story to tell about the experience. Here are closer up views of that Sudanese sandstorm (or should I say “haboob” since this is the very definition of the word?). First the True Color:
VIIRS True Color image (10:32 UTC 10 September 2015)
Next, the EUMETSAT Dust RGB:
VIIRS EUMETSAT Dust RGB image (10:32 UTC 10 September 2015)
And, finally DEBRA:
MSG-3 DEBRA Dust image (10:30 UTC 10 September 2015)
If you’re wondering why the DEBRA image doesn’t seem to line up with the other two, it’s because I cheated. The DEBRA image came from the third Meteosat Second Generation satellite (MSG-3), which is a geostationary satellite. The majority of the haboob was outside our normal VIIRS processing domain for DEBRA, so I grabbed the closest available MSG-3 image. It has much lower spatial resolution, but similar channels, so DEBRA works just as well. And, you don’t necessarily need high spatial resolution to see a dust storm that is ~ 1000 km across. What MSG-3 lacks in spatial resolution, it makes up for in temporal resolution. Instead of two images per day, you get 1 image every 15 minutes. Here is a long loop of MSG-3 images over the course of the whole week, where you can see both sandstorms: (WARNING: this loop may take a long time to load because it contains ~600 large images). Keep your eye on Syria early on, then on Egypt and Sudan. Both haboobs appear to be caused by the outflow of convective storms. Also, how many other dust storms are visible over the Sahara during the week? For comparison purposes, here’s a similar loop of EUMETSAT Dust images. (MSG-3 does not have True Color capability.)
These sandstorms have certainly made their impact: they’ve broken poor air quality records, killed people, made life worse for refugees, closed ports and airports, and even affected the Syrian civil war. Plus, the storms coincided with a heatwave. Having +100 °F (~40 °C) temperatures, high humidity and not being able to breathe because of the dust sounds awful. Correction: it is awful. And, life goes on in the Middle East.
UPDATE #1 (17 September 2015): Here’s a nice, zoomed-in, animated GIF of the Syrian haboob as seen by the DEBRA dust algorithm, made from MSG-3 images:
UPDATE #2 (17 September 2015): Steve M. also tipped me off to another – even more impressive – haboob that impacted Iraq at the beginning of the month (31 August – 2 September 2015). Here’s an animation of the DEBRA view of it:
Quick: what was the name of that Icelandic volcano that caused such a stir a few years ago? Oh, that’s right. You don’t remember. No one remembers. (Unless you live outside the U.S. in a place where you might have actually heard someone say the name correctly.) To Americans, it will forever be known as “That Icelandic Volcano” or “The Volcano That Nobody Can Pronounce” – even though it is possible to pronounce the name. Say it with me: Eye-a-Fiat-la-yo-could (Eyjafjallajökull).
Well, back at the end of August 2014 another volcano erupted in Iceland, and there is no excuse for not being able to pronounce this name correctly: Bárðarbunga. (OK, you have one excuse: use of the letter ð is uncommon outside of Iceland. In linguistics, ð is a “voiced dental fricative” which, in English, is a voiced “th”. “The” has a voiced “th”. “Theme” has an un-voiced “th” or, rather, “voiceless dental non-sibilant fricative“.) Look, you don’t want to offend any Icelanders, so say it right:
“Bowr-thar-Bunga.” See, it’s easy to say. (You may see people who are afraid of the letter ð refer to the recent eruption as Holuhraun [pronounced "Ho-lu-roin"], because Bárðarbunga is part of the Holuhraun lava field. So be aware of that.)
I know what you’re going to ask: “What is so special about this volcano? I haven’t heard anything about it up to this point, so why should I care?” You haven’t heard anything about it because you don’t live in Iceland or in Europe, which is downwind of Iceland. And, why should you care? Let me count the ways in the rest of this blog post.
Just like Kīlauea, Bárðarbunga is attracting tourists from all over the world. It seems every wannabe photographer and videographer has gone (or wants to go) to Iceland to try to come up with the next viral video showing the breathtaking lava flows. Seriously, do a search for Bardarbunga or Holuhraun on YouTube or vimeo and see how many results show up. Here’s a pretty typical example (filmed by someone from Iceland):
Want to join in the fun? Just grab your camera, head to Iceland, hire an airplane or helicopter pilot, and find the most dramatic music you can think of to go along with your footage. Watch out, though – the airspace around the volcano can be rather crowded. As this video shows, it can be hard to film the volcano without other aircraft getting in the way.
If photography is more your thing, here are the latest images of the eruption on Twitter. (Look for the pictures of Beyonce and Jay-Z. If Twitter is correct, they flew over the volcano for his birthday. Viewing the eruption has gone mainstream! You’re too late, hipsters! Good luck getting to the next volcanic eruption before it becomes cool.)
Back to the matter at hand: why you should care about Bárðarbunga. After its first 100 days of erupting, it has created a field of new lava (76 km2) that is larger than the island of Manhattan (59 km2). The volcano has been creating a toxic plume of SO2 for the last 100 days that is making it difficult to breathe. (Here are some of the known health effects of breathing SO2.) SO2 can ultimately be converted into sulfuric acid (acid rain), depending on the chemistry in the air around the volcano. And while it may not be producing as much ash as Eyjafjallajökull did, VIIRS imagery shows it is producing ash, which is a threat to aircraft.
If you follow this blog, you know the best RGB composite for detecting ash is the True Color composite. This is because the visible wavelength channels that make the composite are sensitive to the scattering of light by small particles, like dust, smoke and ash. Iceland is a pretty cloudy place, so it’s not always easy to spot the ash plume, so here it is at its most visible:
VIIRS True Color RGB composite of channels M-3, M-4 and M-5, taken 12:57 UTC 11 September 2014. The red arrow points to the location of Bárðarbunga.
Click on the image (or any other image) to see the full resolution version. The red arrow shows the location of Bárðarbunga. In case you’re wondering, the borders drawn inside the island are IDL’s knowledge of the boundaries of lakes and glaciers (jökull in Icelandic). The big one just south of the red arrow is Vatnajökull – the largest glacier in Europe and one of three national parks in Iceland. (If you want to go there, be aware of closures due to volcanic activity.)
See the ash plume extending from the red arrow to the east-northeast out over the Atlantic Ocean? Now, try to find the ash plume in this animation of True Color images from 29 August to 14 October 2014:
Animation of VIIRS True Color images of Iceland 29 August – 14 October 2014
As with most of my animations, I have selectively removed images where it was too cloudy to see anything. Sometimes, the steam from the volcano mixes with the ash to make its own clouds, much like a pyrocumulus. Watch for the ash to get blown to the northwest and then southwest in early October. In case you can’t see it, here’s a static example:
VIIRS True Color RGB composite of channels M-3, M-4 and M-5, taken 12:15 UTC 10 October 2014. The red arrow shows the location of Reykjavik.
This time, the red arrow shows Reykjavik, the nation’s capitol and likely only city in Iceland you’ve heard of. The ash plume is pretty much right over Reykjavik!
Over the course of the first 100 days, no place in Iceland has been kept safe from the ash plume. But, that’s not the only threat from Bárðarbunga: I also mentioned SO2. If you recall from our look at Copahue (Co-pa-hway – say it right!) the EUMETSAT Dust algorithm is sensitive to SO2. So, can we detect the toxic sulfur dioxide plume from Bárðarbunga? Of course! But, it does depend on cloudiness and just how much (and how high) SO2 is being pumped into the atmosphere.
If you read my post on Copahue, you should have no trouble picking out the sulfur dioxide plume in this image of Bárðarbunga:
EUMETSAT Dust RGB composite applied to VIIRS, 12:57 UTC 11 September 2014
This image is from the same time as the first True Color image above, when the plume was very easy to see. Also note the large quantity of contrails (aka “chemtrails” to the easily misled). Those are the linear black streaks west of Iceland. If you’re confident in your ability to see the sulfur dioxide, see how often you can pick it out in this animation:
Animation of EUMETSAT Dust RGB images from VIIRS (29 August – 10 October 2014)
Some detail is lost because an RGB composite may contain as many as 16 million colors, while the .gif image standard only allows 256. But, you can still see the pastel-colored SO2 plume, which almost looks greenish under certain conditions due to interactions with clouds. Also note the volcano itself appears cyan – the hottest part of the image has a cool color! Unusual in a composite that makes almost everything appear red or pink.
If you want to see the volcano look more like a hot spot, here are animations of the shortwave IR (M-13, 4.0 µm) and the Fire Temperature RGB composite (which I promote whenever I can). I should preface these animations by saying I have not removed excessively cloudy images but, at least 80% of the days have two VIIRS afternoon overpasses and, to reduce filesizes, I have kept only one image per day:
Animation of VIIRS M-13 images of Iceland (29 August – 15 October 2014)
The Fire Temperature RGB is made up of M-10 (1.6 µm; blue), M-11 (2.25 µm; green) and M-12 (3.7 µm; red):
Animation of VIIRS Fire Temperature RGB images of Iceland (29 August – 15 October 2014)
No surprise, molten rock is quite hot! That area of lava has saturated my color table for M-13 and it saturated the Fire Temperature RGB. As I’ve said before, only the hottest fires show up white in the Fire Temperature RGB and lava is among the hottest things you’ll see with VIIRS. Sometimes, you can see the heat from the volcano through clouds (and certainly through the ash plume)! It’s also neat to watch the river of lava extend out to the northeast and then cool.
To quantify it a bit more, the first day VIIRS was able to see the hot spot of Bárðarbunga (31 August 2014), the M-13 brightness temperature was the highest I’ve seen yet: 631.99 K. The other midwave-IR channels (M-12 and I-4; 3.7 and 3.74 µm, respectively) saturate at 368 K. The Little Bear Fire (2012) peaked at 588 K and that fire was hot enough to show up in M-10 (1.6 µm) during the day, so it’s no wonder that we’ve saturated the Fire Temperature RGB.
There’s one more interesting way to look at Bárðarbunga using a new RGB composite. When I was first tipped to this event, I saw this image from NASA, which you can read more about here. That image was taken by the Operational Land Imager (OLI) from Landsat-8 and is a combination of “green, near-infrared and shortwave infrared” channels. Applying this to VIIRS, that combination becomes M-4 (0.55 µm), M-7 (0.87 µm) and M-11 (2.25 µm), which is similar to the Natural Color composite (M-5, 0.64 µm; M-7, 0.87 µm; M-10, 1.61 µm) except for a few notable differences. M-4 is more sensitive to smoke and ash and vegetation than M-5. And M-11 is more sensitive to fires and other hotspots than M-10.
The differences are subtle, but you can see them in this direct comparison:
Comparison between VIIRS “Natural Color” and “False Color with Shortwave IR” RGB composites (12:38 UTC 14 October 2014)
NASA calls this RGB composite “False Color with Shortwave Infrared,” although I’m sure there has to be a better name. Any suggestions?
Most of my images and loops have come from the first 45 days after eruption. This was a very active period for the volcano, and is where most of the previously mentioned videos came from. (And trust me, you and your browser couldn’t handle the massive animations that would have resulted from using all 100+ days of images.) To prove Bárðarbunga has gone on beyond that, here’s one of the new RGB composites from 17 November 2014:
VIIRS false color RGB composite of channels M-4, M-7 and M-11, taken 13:42 UTC 17 November 2014
This image really makes Iceland look like a land of fire and ice, which is exactly what it is!
Conspiracy theorists will tell you that conspiracies exist everywhere; that they’re part of daily life; and that most people are ignorant of all the attempts by various governments around the world to covertly control every facet of your life. Only they know the truth. But, that’s just what they want you to believe! Conspiracy theorists are simply manipulating you in order to control you and create a New World Order! Wake up!
Full disclosure: I am subsidized by the U.S. government to inform people of the capabilities and uses of the satellite instrument called VIIRS and today I’ll show you how that satellite instrument can help separate fact from fiction when it comes to the latest conspiracy theory. (Of course, working for the government means I could be part of the conspiracy! Mwa ha ha!)
During the last week of August 2014, I was sent this link to a story from a pilot/photographer who captured “the creepiest thing so far” in his long flying career. I’ll quote his initial post again in its entirety here (for those of you too lazy to click on the links):
Last night [24 August 2014] over the Pacific Ocean, somewhere South of the Russian peninsula Kamchatka I experienced the creepiest thing so far in my flying career. After about 5 hours in flight we left Japan long time behind us and were cruising at a comfortable 34.000ft with about 4,5 hours to go towards Alaska.
We heard via the radio about earthquakes in Iceland, Chile and San Francisco, and since there were a few volcanos on our route that might or might not be going off during our flight, we double checked with dispatch if there was any new activity on our route after we departed from Hongkong.
Then, very far in the distance ahead of us, just over the horizon an intense lightflash shot up from the ground. It looked like a lightning bolt, but way more intense and directed vertically up in the air. I have never seen anything like this, and there were no flashes before or after this single explosion of light.
Since there were no thunderstorms on our route or weather-radar, we kept a close lookout for possible storms that might be hiding from our radar and might cause some problems later on.
I decided to try and take some pictures of the night sky and the strange green glow that was all over the Northern Hemisphere. I think it was sort of a Northern Lights but it was much more dispersed, never seen anything like this before either. About 20 minutes later in flight I noticed a deep red/orange glow appearing ahead of us, and this was a bit strange since there was supposed to be nothing but endless ocean below us for hundreds of miles around us. A distant city or group of typical Asian squid-fishing-boats would not make sense in this area, apart from the fact that the lights we saw were much larger in size and glowed red/orange, instead of the normal yellow and white that cities or ships would produce.
The closer we got, the more intense the glow became, illuminating the clouds and sky below us in a scary orange glow. In a part of the world where there was supposed to be nothing but water.
The only cause of this red glow that we could think of, was the explosion of a huge volcano just underneath the surface of the ocean, about 30 minutes before we overflew that exact position.
Since the nearest possible airport was at least 2 hours flying away, and the idea of flying into a highly dangerous and invisible ash-plume in the middle of the night over the vast Pacific Ocean we felt not exactly happy. Fortunately we did not encounter anything like this, but together with the very creepy unexplainable deep red/orange glow from the ocean’s surface, we felt everything but comfortable. There was also no other traffic near our position or on the same routing to confirm anything of what we saw or confirm any type of ash clouds encountered.
We reported our observations to Air Traffic Control and an investigation into what happened in this remote region of the ocean is now started.
There are three parts to this story: 1) the bright flash of light that looked like lightning coming up from the surface; 2) the aurora-like features in the sky; and 3) the red and orange lights from the clouds below that appeared to be larger than ordinary ship lights.
Since the story was first posted, people from all over commented on what they thought the lights were and the pilot has been updating his webpage to cover the most common and/or most likely explanations. The media picked up the story and used it to claim the world was coming to an end. Existing theories range from UFOs (unidentified flying objects) and UUSOs (unidentified under-surface objects) operated by space aliens to covert military operations to spontaneously-combusting methane bubbling out of the ocean to “earthquake lights“. The pilot himself initially thought it was an underwater volcanic eruption.
So, can VIIRS shed light on what was going on? Yes – at least, on #2 and #3. VIIRS passed over the area in question at 15:35 UTC on 24 August, which is about 4 hours after the pilot took his pictures. This means VIIRS can’t say anything about the lightning-like flash that was observed. So #1 is unexplained.
As for #2 – the aurora-like features in the sky – those are simply airglow waves. We’ve discussed airglow and airglow waves before here and here.
Now, onto #3 where VIIRS is most informative: the mysterious surface lights. I mentioned the VIIRS overpass at 15:35 UTC on 24 August. Here’s what the Day/Night Band (DNB) saw:
VIIRS Day/Night Band image from 15:35 UTC 24 August 2014.
Look at 47.5°N latitude and 159°E longitude. (You can click on the image, then on the “4329 x 2342″ link below the banner to see the full resolution image.) Those are the lights the pilot saw! (Note also that this night was near new moon, so any illumination of the clouds in that area comes from airglow. Light in the northeast corner of the image is twilight from the approaching sunrise.)
Now, VIIRS also has bands in the short-, mid- and long-wave infrared (IR). Surely, they must have seen the heat signature put out by a volcanic eruption, right? Not necessarily. The pilot’s photographs clearly show the lights shining through a layer of clouds, and it doesn’t take much cloud cover to obscure heat signatures at these wavelengths. But, for completeness, here are the observed brightness temperatures at 3.7 µm (channel M-12) and 10.7 µm (channel M-15):
VIIRS M-12 image from 15:35 UTC 24 August 2014
VIIRS M-15 image from 15:35 UTC 24 August 2014
I don’t see any hotspots in either of those images near the location of the lights. But, as I said, this doesn’t disprove the presence of flaming methane or volcanic activity because of possible obscuration by clouds. (Note that the clouds are easier to see in the DNB image than either of the IR images because there is no thermal contrast between the clouds and the open ocean for the IR images to take advantage of. There is, however, reflection of airglow light available to provide contrast in the DNB.)
What about the night before? The night after? Were the lights still there?
Here’s the DNB image from 15:54 UTC 23 August 2014 (aka the night before):
VIIRS DNB image from 15:54 UTC 23 August 2014
The light is there in pretty much the same place, although it looks like one big circle instead of a number of smaller lights. What is going on? Once again, it’s clouds. This time, the longwave IR shows we have optically thicker and/or an additional layer of high clouds over the lights:
VIIRS M-15 image from 15:54 UTC 23 August 2014
Optically thicker clouds scatter and diffuse the light more, and what you are seeing in the DNB image is the area of clouds surrounding the light source that scatter the light to the satellite. See how clouds scatter the city lights of the U.S. Midwest in this comparison between the DNB and M-15 from 07:42 UTC 2 September 2014:
(You may have to refresh the page if this before/after image trick doesn’t work.)
It’s not that Chicago, Illinois and Gary, Indiana extend that far out into Lake Michigan or that the map is not plotting correctly. It’s that the optically thicker clouds over the southern end of the lake scatter more of the light back to the satellite (and over a larger area than the lights themselves), making it appear that the light is coming from over the lake.
Similarly, scattering in the clouds makes the individual “mystery lights” over the Pacific Ocean appear to be one large area of light, instead of a number of smaller lights.
How do the lights look on 25 August 2014 (aka the night after)? Here’s the DNB image:
VIIRS DNB image from 15:18 UTC 25 August 2014
Did you notice that? The lights aren’t in the same place as before. They moved. In fact, I tracked these lights in the DNB for two weeks. And I got this result:
Do volcanoes move around from day to day? I think we can safely say the pilot was not observing a volcanic eruption.
Now, I don’t know much about spontaneously combusting methane bubbles in the ocean, but I doubt they are this frequent. The pilot found another pilot’s report of methane burning over the ocean from 9 April 1984 (which also occurred during a flight from Japan to Alaska) but, that was during the day and it was the resulting cloud that was spotted, not the actual flames. There is no evidence of clouds being produced by these lights over this two week period. There also isn’t much evidence from seismic activity over this period to justify earthquake lights.
Another theory put forth was meteorites but, again, it seems highly improbable that VIIRS would be capturing this many meteorites hitting this localized area of the Pacific Ocean every night for two weeks. Plus, they would have to be pretty large meteors to appear as large as these lights.
Unless you believe in UFOs (or UUSOs), that leaves only one question: why were the pilots of this flight so quick to dismiss ships? The DNB has seen ships on the ocean before, and they look a lot like this. (You can find examples of individual boats observed by the DNB here and an example of larger squid boat operations here.)
It is true that most squid boats use white or greenish light and the pictures clearly show red and orange lights coming up through the clouds. But military ships are known to use red lights at night, at least, according to Yahoo! Answers.